明妃如花顔,高出漢宮右。
可憐君王目,但寄丹青手。
寂寂保孤妍,悠悠成偽醜。
坐此嫁穹廬,流落無時回。
無時回,琵琶未闋邊笳催。
哀絃流入千家譜,明妃只作閼支舞。
年年猶借南來風,吹得青青一抔土。
君不見漢家嫁得幾娉婷,不聞一一琵琶聲。
禍起當年婁敬謬,後人獨恨毛延壽。
明妃如花顔,高出漢宮右。
可憐君王目,但寄丹青手。
寂寂保孤妍,悠悠成偽醜。
坐此嫁穹廬,流落無時回。
無時回,琵琶未闋邊笳催。
哀絃流入千家譜,明妃只作閼支舞。
年年猶借南來風,吹得青青一抔土。
君不見漢家嫁得幾娉婷,不聞一一琵琶聲。
禍起當年婁敬謬,後人獨恨毛延壽。
明妃的容顏如花朵般嬌豔,
美貌在漢宮之中超群出眾。
可惜君王的目光無法親見,
只能寄託於畫師描繪的手筆。
她默默守護著孤高的美麗,
漫長的時光卻將真容扭曲成虛假的醜陋。
因此她被遠嫁到匈奴的穹廬,
漂泊流落,再也沒有歸期。
再也沒有歸期——琵琶曲尚未終了,
邊塞的胡笳聲已急促催逼。
哀傷的絃音流入千家樂譜,
明妃只能作為單于的閼支起舞。
年復一年,依然藉著南來的風,
吹拂著她墳塋上那一抔青青的泥土。
您難道沒看見漢家嫁出多少位佳人,
卻不曾聽聞一一傳來她們的琵琶聲?
災禍起源於當年婁敬錯誤的提議,
後人卻只怨恨畫師毛延壽一人。
Bright Consort's face like a flower's hue,
Outshone all others in the Han palace, true.
Alas, the emperor's eyes could only see
What the painter's hand portrayed for him to decree.
In silence, she preserved her lonely grace,
While time turned truth into a counterfeit face.
Thus, she was sent to wed the nomad's tent,
To drift in exile, with no hope to relent.
No hope to relent—the pipa's song not done,
When border horns hastened, one by one.
Her mournful melody flowed into many a score,
Bright Consort danced as the khan's wife, nothing more.
Year after year, the southern wind still blows,
Carrying dust to where her lonely mound now shows.
Have you not seen how many Han maidens, fair,
Were sent to wed, yet no pipa sounds fill the air?
The disaster began with Lou Jing's flawed advice;
Later generations blame only Mao Yanshou's vice.
美貌作為政治博弈的籌碼,映射古代人才流動的週期困境。
借王昭君美貌出眾卻遠嫁異域,寄託對人才埋沒、命運無常的感慨。
本詩為七言古詩,押平聲韻。
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